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A2 poster for the film screening of “Das Höllentor von Zürich” at Gaskessel Bern. The motif is derived from the film’s storyline: the protagonist’s finger gets stuck in the bathtub drain. A film by “Bild mit Ton”, directed by Cyrill Oberholzer and starring Lara Stoll.
Poster for the “UFO Burger”, where the two halves of the bun are brought together. The design makes content visible to consumers. Fonts in use: • LTC Francis by Lanston Type Co. • Nektar (modified) by More Etc • Neue Haas Unica by Toshi Omagari
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(Waiting can be fatal / Switzerland lacks heart) School project: Copywriting and posters for the Swiss federal popular initiative “Promote Organ Donation – Save Lives.” The purely typographic design lends the emotional topic of organ donation an argumentative, factual tone. Fictional assignment, not implemented. Font in use: Helvetica, originally designed by Max Miedinger and Eduard Hoffmann.
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Poster and flyer for the concert tour of the band Zontania. The illustration references the tour venues: campsites. Font in use for the info text: Cafeteria by Frere-Jones Type.
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Flyer for an ice cream stand. The illustration combines three elements: ice cream (scoops), coffee (cup), and crêpe (upper body). Font in use: Sofia Soft by Olivier Gourvat
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Reading flashlights: flyer for a reading event at the Bern Breitfeld school. The design references the architecture of the school building (see below: “process and context”). Font in use: Source Serif by Frank Grießhammer.
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A4 Flyer for the reading “Auf flimmernden Schwingen ins Nichts” Font in use: Lora by Alexei Vanyashin and Olga Karpushina.
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Flyer for a performance by our band “The Rules” at PlanB Records, a record store in Bern. The 3D effect was achieved using full-body scans of the band members—“please do not move.” Font in use: Neue Haas Unica by Toshi Omagari.
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Flyer for “Pinhole Day,” where passers-by could take photos using a camera obscura. A supporting lettering was created for the event (see “process and context”). Font in use: Neue Haas Unica by Toshi Omagari.
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Flyer and A2 poster for the opening of “Atelier 27” and the exhibition “Digital Naiv” (self-initiated project). Fonts in use: Palatino (modified) by Herman Zapf | Neue Haas Unica by Toshi Omagari
Flyer for the techno party “Erika Tanzt.” Fonts in use: Arial by Patricia Saunders and Robin Nicholas • Bembo Std by Francesco Griffo, redrawn by Stanley Morison
Goals | Challenges | Solutions | Learnings
The challenge with flyers and posters: beyond aesthetic quality, the message or information must be presented in a compact, clear, and visually cohesive way. Key details such as theme, location, date, or type of event need to be grasped quickly. For good print results, close collaboration with the print shop is essential. As a designer, it is also important not to become too attached to one’s own ideas, as clients ultimately have the final say.
© MW 2026 | Made with ❤ in Webflow
“Typography has one plain duty before it and that is to convey information. No argument or consideration can absolve typography from its duty.”
Emil Ruder