I offer design work with a focus on type across three areas

Lettering

Standing out with type

Great lettering comes from a love of letters and all their forms. In addition, I have an eye for composition, aesthetics, and detail. In doing so, I place particular emphasis on ensuring legibility and draw on a rich repertoire of styles and techniques. Whether playful, professional, or experimental, lettering gives your project that special something, makes your product stand out from the crowd, or captivates your audience with a handcrafted, unique touch. In short: Compelling lettering adds value.

Graphic Design

Type in context

For type to make an impact, it needs the right setting. This is where my many years of experience as a graphic designer come into play. My focus is on typography, which is the study of how to use type in print and digital media. I design type logos, business cards, books, posters, and anything else your heart desires. I also provide advice on typeface selection and visual identity. Together, we will find the right setting for your project.

Type Art

Let type dance

For me, the art of lettering is the symbiosis of text and image. This is where calligraphy comes into play as well; the word originates from Greek and means “the art of beautiful writing.” But beauty has many facets, and in art, you can—and sometimes must—break the rules. Therefore, my lettering art can be wild and colorful, deliberately illegible, ironic, or melancholic. I sell type art (along with drawings) on my other Website and take on calligraphy commissions, which can include wedding invitations, book covers, menu cards, and much more.

Testimonials
What my clients say
“Working with Micha was straightforward and clear. He brings his own ideas to the table, but he is equally good at listening. Throughout the process, I felt I was in good hands, and I had complete confidence in his design intuition.”

Samuele Taghizadegan

Musician

“We are extremely satisfied with Micha's professionalism and commitment. Thanks to his structured approach and reliability, working with him was both efficient and enjoyable. We would be happy to recommend Micha to others.”

James Schneider

General Manager Hotel ibis Styles Bern City

What I say
“My design work is versatile in form and original in content. I work efficiently and complete assignments in a goal-oriented manner, following the motto ‘progress over perfection’.”

The four stages of a project

Introduction

Initial contact is easy and non-binding through a Commission inquiry. A simple form that gives me an overview of your project. A face-to-face meeting can also be very helpful for an even more detailed briefing and helps build additional trust. Then comes the part where I ask you a series of questions: This helps me get a feel for what you need, who your target audience is, and which channels, techniques, or media would be suitable for your project. I will send you a fair and clear quote, and then our collaboration can begin.

Sketching

Let’s get to work! I’ll send you some initial sketches and keep you updated throughout the entire process. I will develop a coherent concept and explain my design choices. If you’d like, I can also help you with the content and tone of your text or messages. I respect and take into account your ideas, input, and visions—and I also contribute my own ideas and recommendations. I work efficiently and in a goal-oriented manner, and I communicate clearly and directly.

Creation

The direction is clear, and the project is taking shape: Based on the sketches, our discussions, and your ideas, the first results are emerging. The design is tailored to your target audience, but it also leaves room for originality and boldness. If necessary, we will correct, revise, and make adjustments. When it comes to text-heavy projects and typography, I place a particular emphasis on ensuring excellent readability. To that end, flawless spelling and correct grammar are a given for me. Your project is taking shape and evolving into a compelling, relevant end result.

Finalization

Your project is complete, and I will deliver all the files, handmade items, or printed materials to you on time, preferably and if possible in person. I will provide you with clear instructions on how to use the materials correctly across all possible channels, such as adapted formats for social media. We will stay in touch, and if needed, I will continue to support your project after it is completed, either by providing advice or by actively working on it. Now we have something to celebrate – but fst, ior for me to get your feedback on the project process and the final result.
Follow-up

What’s your pricing like?

I work with a fair hourly rate and an efficient process. After your inquiry, I’ll provide a clear quote so you can make an informed decision. I focus on delivering thoughtful, high-quality design with lasting value.

How exactly does the commission request work?

The request is an easy-to-understand online form that covers the most important points about your project and your ideas. For example, you can already provide me with specific details, such as the location and date of a flyer for an event or the scope and budget of the project. This saves both of us time right from the start and helps me get an overview. You only need to fill in the fields you consider necessary, and the request is completely non-binding, so you can still change your mind or modify the scope even after submitting the request. A binding collaboration will only begin once you sign the subsequent quote.

What is your stance on AI?

Overall, I'm skeptical, but I'm open to AI as a useful tool. In the creative field, AI should never be used as a substitute for creative work, but rather as a support throughout the process and to make repetitive, non-content-related tasks easier. For example, I hardly ever use ChatGPT. It's not a matter of principle; it's just that I much prefer to get information and answers directly from the source, which also allows me to support and value the people behind them. You end up in exciting places on the internet if you take the occasional detour.

Useful tasks for AI in the graphic design process:

  • Upscale low-resolution images (results vary)
  • Some Adobe features already include AI natively, such as “content-aware fill.” I use this feature only for backgrounds and for elements that do not change the context. So, for example, don't alter faces.
  • Use this feature only for backgrounds and for elements that do not change the context. So, for example, don't alter faces.

Interestingly, AI is still pretty bad at anything related to designing fonts and working with type, i.e., font design, typography, lettering, and calligraphy. I think this is because reading and writing are very human activities. We read type with our eyes, so it has to adapt to how our eyes perceive it. For example, in type design, optical illusions must be deliberately counteracted. In addition, there is a certain degree of arbitrariness in the appearance of the typefaces we know today; the letter 'A' looks the way it does because it originated from a pictorial representation of a bull's head and then underwent a rather haphazard evolution in form over the course of several centuries. Last but not least, type is highly dependent on context and environment. All of these factors make it difficult for AI to generate or imitate sophisticated typography.

What’s the difference between lettering and calligraphy?

In lettering, the letters are drawn and shaped and modified as they are written, for example, by adding a 3D effect. In calligraphy, the goal is to write the letters in a single, flowing motion using individual strokes (downward, diagonal, etc.). Example below: Lettering on the left and calligraphy on the right.

Comission Inquiry

Let's work together to make type stand out: Here's an easy and no-obligation request for your project.